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    Pop Goes Korea: Behind the Revolution in Movies, Music, and Internet Culture

    Russell in fact argues that the most creative period for some elements of Korean popular culture was in the mids or even earlier, not the post- Shiri era. But Russell explains the hard work, for example, undertaken by Rain in his long apprenticeship before he hit the big time; or the long contracts which bind TV actors to a particular station. We can possibly see, in the work of the Korean Film Archive, and in the more recent very occasional reissue of the material of rock bands from the s and 90s, a tiny change in this attitude which might bode well for the future.

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